Every year I create an art calendar with my year's work showcased on each month. I advertise these on my social media. It's always difficult to try and make sure I clear all the stock before the new year, so I have made this very professional advert in order to persuade customers to take the plunge. These calendars are available at www.paulcurtisartwork.com . They are £12.99 plus P&P. I am sure that QVC and the shopping channel will be on the phone offering me contracts any day now.

Click the link to watch Paul's homemade advert:


Head over the shop page to purchase your very own Paul Curtis calendar.

Award-winning street artist Paul Curtis has completed work on his largest ever mural to date, transforming Ainsdale’s Toad Hall with a tribute to the Sefton coast’s rare sand lizards. Sefton Council’s Green Sefton Service commissioned Paul to carry out the work as part of its plans to invest in and develop the Ainsdale-on-Sea coastal area.

Paul, who burst onto the street art scene around three years ago, began painting in August. He has used 330 litres of paint, 42 spray paint cans and spent 360 hours, through rain and sunshine, creating the incredible scene across the exterior of the building.

Depicting the environmentally important Ainsdale dunes, it features not just one, but two sand lizards taking pride of place across the design.

Cllr Ian Moncur, Sefton Council’s Cabinet Member for Health and Wellbeing, said:

“We gave Paul an enormous challenge when we asked him to brighten up Toad Hall and I can certainly say that he has stepped up to that challenge. His mural is a magnificent celebration of our unique and environmentally-important coast. “Paul has captured our Ainsdale dunes and sand lizards perfectly, and I know that people will travel from far and wide to get a glimpse of the finished mural.”

Artist Paul Curtis said:

This is a project I was extremely keen to be part of. The sheer scale and the challenge that comes with a mural like this is something I had literally to get my teeth int. I used to visit Ainsdale a lot and I often wandered what the story of Toad Hall was. But I never imagined that I would end up painting it.

There are many many challenges involved with a building like this. This is far from a flat canvas; there are numerous nooks and crannies, pillars and alcoves. This presents difficulties in simply accessing certain parts, but also in making the image line up and make sense, the

claws of the lizard were one of the most difficult things I have ever painted because of this 3D challenge. I knew this would be a tough assignment and I knew it would take time.

The initial designs went for the obvious: put a toad on Toad Hall. However, after producing a series of toady designs, none of the seemed to work. We tool the tough decision to scrap that idea completely. Eventually the sand lizard idea was landed on. This would fit the bill. Bright vibrant colours, elongated shape to match the proportions of Toad Hall and part of the local fauna. It ticked all the boxes! I have never painted a lizard before, but I have done a couple of snake

s, so I prepared myself for thousands of skin scales! The marram grass and coastal environment is designed to form an illusion so that when you walk over the dunes, due to perspective, the mural should emerge from the horizon as though part of your near surroundings.

Its been a joy to work on this project. So many people stopping me and really enthusing about the artwork. The joy on the kids’ faces when they see the mural. Everyone who approached me was so positive. I hope that this artwork gains national interest and in a small way, helps put Ainsdale on the map in the way that the Iron Men did for Crosby. This is the largest painting by a single artist ever painted in Britain.

Thanks again to everyone in Ainsdale for being so hospitable and making me feel welcome.

The Sefton coast is one of the UK strongholds for the rare sand lizard species which is one of the reasons why the coastline is recognised as a Site of Special Scientific Interest – helping to protect vital habitats. Both male and female lizards will soon be heading into hibernation which takes place between October to March. When they emerge in the spring, eggs will be laid and incubated in the sand.The warmth-loving species rely on the heat of the dunes for a successful life cycle and are about 20cm long. Males are brighter green in the summer months and females usually a duller colour.

Sefton Council works alongside conservation charities and environmental organisations like Natural England to help protect the lizards and improve habitat by removing invasive plants. People are reminded not to dig in the dunes so as not to damage eggs or disturb hibernating lizards.

Cllr Moncur added:

“The mural has really put Ainsdale on the map and marks the start of a longer-term plan for the Council to work alongside the community to improve facilities for all, while protecting the landscape that we are all lucky to be custodians of.”

An exhibition about Red Rum - one of the world's most famous horses - has opened in the town where he trained.

He won the Grand National an unprecedented three times - in 1973, 1974 and 1977. A mural by the artist Paul Curtis, best known for his street artwork The Liver Bird Wings, also features in The Atkinson gallery in Southport. Aintree Racecourse historian Jane Clarke said the exhibit celebrated one of its "true local heroes".

Bought with a debilitating bone disease, he was restored to health under trainer Ginger McCain by the Southport seaside, where the sight of him racing across the sands "thrilled many a local resident", a spokesperson for The Atkinson said.

His rise to fame occurred at the same time that the Aintree racecourse was put up for sale in the 1970s. Historian Reg Green has previously said Red Rum did more than anyone to safeguard the Grand National and "put it back where it belongs - at the summit of sporting achievement". The horse became such a celebrity that he switched on the Blackpool Illuminations in 1977 and also appeared in the studio for BBC Sports Personality of the Year. When Red Rum died in 1995, his remains were buried at the winning post at Aintree Racecourse.

Ms Clarke said she had been "constantly warmed by the obvious affection Southport people in particular still have for this great horse", adding that many had provided memorabilia for the exhibit.

The Red Rum exhibition runs at The Atkinson until October.


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